More than 100 gigaflops of real-time audio processing performance.
- Audio System Engine with industry leading 108 Gigaflops digital signal processing performance
- HyperMAC Router with 192 bidirectional channels over copper and optical fibre
- 40 bit floating point processing with 96 kHz sample rate
- Dual redundant connection to control centre for enhanced reliability
- Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
- Fitted with 4 DSP cards as standard for N 1 redundant operation
- Expansion card slot for additional connectivity options
- Features Neutrik etherCON* AES50 and Ethernet control network ports
- Dual-fibre Neutrik opticalCON DUO* connector used for optical fibre snake connection
- Rugged 7U rackmount chassis for durability in portable applications
- Three bay auto-ranging universal switch-mode power supply with N 1 redundancy
- Its cutting-edge, latest generation DSPs and high-performance FPGA, couple with snugly- coupled MIMD (Multiple Instruction, Multiple Data) architecture delivers more than 100 gigaflops of real-time audio processing performance.
This means that NEUTRON has the potential to provide more than 800 audio paths. Your system remains absolutely future proof.More than three times the power of other competitors, it delivers impeccable MIDAS sonic performance and functionality.
But it’s not just about raw, number-crunching power and high channel counts, NEUTRON is also about finesse. Adding I/O boxes with the best converters and custom processing algorithms that draw upon over 40 years of listening experience at the top of the industry, NEUTRON takes the audio quality of those channels to another level.
All MIDAS digital console systems have a comprehensive and automatic latency management system and NEUTRON is no exception. This system manages all internal routing and processing latency and also includes compensation for external analogue inserts.All audio samples are synchronised before summing, resulting in absolute phase coherency at the outputs and completely avoiding the “comb filtering” effects of less carefully designed systems that result in specific frequencies cancelling out completely.
PRO X’s Digital EQ features fully-interpolated controls, which recreate the original phase shift as experienced when working on the world’s best- loved analogue consoles. Each input channel has 4-band parametric EQ, with a choice of 4 different filter types for both the high and low filters. These powerful options can emulate the sound of historic MIDAS consoles in real time or allow advanced digital filter types, free of the limitations of analogue circuitry.
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